This is alt text from what used to be my bsky profile. Here it is an exhibition, but maybe in real life some day an installation. Concept is WIP.


Alt text 2026.10.28. Against a backdrop of various shades of black and grey on a tv screen white capitalized copy reading A FILM BY JIM JARMUSCH with a light source reflected above the H and to the Y's left.


Alt text 2026.10.18. A dark blue t-shirt with a circular silver-grey negative print showing the monochrome face of an ape, a religious mitre- or klobuk-like hat over their head & shoulders, outlines of buildings behind, and bold capitalized copy above, in a half circle reading FUCT DEPARTMENT OF HUMAN RELATIONS.


Alt text 2026.10.17. Three books by Richard Brautigan on a piece of light wood, their covers yellow, blue & green, and violet, all bordered white, the first showing what seem to be blue frogs in various poses, the second white geese on lawn, the last a trout's head in reflective print with their titles white, reading below the author's name: A Confederate Gen from Big Sur, Revenge of the Lawn, Trout Fishing in America. To the left part of a magazine cover showing two handdrawn faces, one wearing black-framed glasses under light brown hair and another with red lipstick and pink hair.


Alt text 2026.10.13. On a piece of light wood a variety of stacked transparency paper with a mess of words and letters, stylized copy in caps reading ADVERTIZE ALL ART drawn in a block, twice, to the right and in the middle on a stencil a sheet with some magenta below, three letters per line, red and black shining through, and all black with more letters to the left on top.


Alt text 2026.10.09. Against a black background a stylized logotype reading CARRiE almost in all caps but the "i“ and pink yet fading to white in its middle part and back to pink again, its first and last letters slightly off-screen.


Alt text 2026.10.01. On a wrinkly piece of cotton, an equally wrinkly print using famous DOOM pc game's sharp-edged mechanical logotype reading HECQ in caps, the letters' upper half in steelworks grey and the lower and their outlines almost whole glowing golden and yellow and orange, imitating hot iron.


Alt text 2026.09.25. Resting on cardboard an A2 screen print with THIS IS NOT A VAGINA in thick black military- or western-style caps written above Georgia O'Keeffe's Ram's Head with neither hollyshock nor hills in a mix of cyan blue, silver, and magenta colors on white paper in a fake-gilded frame, part of both metals glowing in the light.


Alt text 2026.09.01. Spread out on a cupboard an array of screenprints on white A2 paper showing a ram's head in silver, magenta, and cyan blue with on top handdrawn military-or western stylized typography reading in black caps THIS IS NOT A VAGINA with to the left part of a DIY music studio setup, an fx pedal visible but most gear hidden under white linen blankets.


Alt text 2026.08.27. On light wood a white DIN A5 magazine riddled with paint-marked red dots all over, in its middle a printed large one with barely visible copy around its inside perimeter, reading in caps TIME CAPSULE and on its bottom toward the left of the image FREE ISSUE, equally in caps and red, while in the upper right corner part of a silver grey device.


Alt text 2026.08.14. Hanging on a white wall an A2screen print with THIS IS NOT A VAGINA in thick black military- or western-style caps written above Georgia O'Keeffe's Ram's Head without hollyshock and hills in a mix of cyan blue, silver, and magenta colors on white paper in a fake-gilded frame.


Alt text 2026.08.12. Spread out on a cupboard an array of screenprints on white A2 paper showing a ram's head in silver, magenta, and cyan blue with on top handdrawn military-or western stylized typography reading in black caps THIS IS NOT A VAGINA with in the background part of a DIY music studio setup with a guitar, a sub, and an fx pedal.


Alt text 2026.07.30. On two pages of transparent paper an open smaller notebook with unreadable blue copy doodled on the left and a draft of black stylized typography on the right, with below a dirty tissue and Q-tip on magenta scribbled drafts of more stylized copy, the finished piece on a stencil on top of grid paper to the right, reading in tooth-shape caps MY CROOKED TEETH ARE A FASHION STATEMENT arranged in the shape of a tooth.


Alt text 2026.07.23. A small stack of DIN A2 screen prints, two of them side by side, THIS IS NOT A VAGINA in thick black military- or western-style caps written above Georgia O'Keeffe's Ram's Head in a mix of cyan blue, silver, and magenta colors on white paper.


Alt text 2026.07.19. A pale person with thick black hair just down over their shoulders and blue dress, beige tiles behind, and a disturbedly scared and pleading expression on their face.


Alt text 2026.07.18. Part of a dark grey blu-ray disc case, photographed at an angle and resting on light wood, showing a graphic account of a pale woman's naked upper body, her right breast bare and the left cut off at the bottom of the image, her head salaciously leaned back with shiny dark tentacles for hair. Above, black serif copy reads POSSESSION in caps toward the upper right.


Alt text 2026.07.11. Photo of a white wrinkly t-shirt on a reclined person's torso, less than half of their neck visible, and what seems to be an arm's shadow across the belly. Black copy is printed on the fabric, with up on top, reading in street-stylized tag-like handwriting 'Mogadishu' and then below in caps a list of more cities:
FRANKFURT
DETROIT
MARSEILLE, and below an encircled logo made of a W mirrored at the bottom to an M, both letters framed by a column, then on with
ROTTERDAM
NAPOLI


Alt text 2026.07.09. Slightly askew photo of a room in a cinema bathed in purple light, one white LED visible on the wall to the right, empty seats up front, and white copy reading "MYSTIQUE" in caps on the screen.


Alt text 2026.06.16. Placed in a corner of raw concrete walls an oversized stethoscope with the words "Precious" and "pressure" worked into the tubes connected to the earpieces, their shadow thrown on the grey wall behind by a focused source of light from up front, engulfing the piece with black shadow.


Alt text 2026.06.14. Part of a schematic around ai's evolution dating from medieval to contemporary times, white on a black wall, here informing about communication infrastructure and its mathematics, visualized through the use of geometrical forms, lines and dots, squares and circles in between words, to show the complex array of fields entangled in artificial intelligence.


Alt text 2026.06.14. A photo showing part of a large, round black metal plate, erratically scratched with a screwdriver almost along the full width along its girth, vertically torn apart in its middle. At its clean center, stenciled serif typeface reads Elitäre Kreise, with one word on either side.


Alt text 2026.05.28. On a surface of light wood a small collection of rectangular stickers reading "do you read me?" black on white and leftbound from the top, while to their left the colourful cover of the magazine, showing a collage of comic characters in different situations. Up on top in the middle a white circle reading 'Little White Lies' in black while other copy shows part of the issue's central topic film's title strewn in caps all over the cover: FATHER MOTHER at the top and in the middle, with another "THER" jutting out from the bottom.


Alt text 2026.05.26. An arched metal structure photographed from below, with sunrays streaming in from the bottom right, up across the chequered pattern of its steel beams.


Alt text 2026.05.10. Somewhat shot in a confusing perspective and framed by black columns on a widescreen frame, a grainy 4:3 ratio filmstill, showing all in black shade from the sun and against the backdrop of a light grey- and blue-ish sky, a construction worker wearing a bobble cap, up in the air on a ladder hanging from a transmission tower's arm, reaching from the upper left to the upper right quarter of the image, wires running away in an almost right angle to the lower and middle right, isolators attached to their ends, and a safety hook hanging from one. On the bottom left, a stylized orange typography reads: WCFF Official Selection.


Alt text 2026.05.03. A white wall filled with colourful graffiti of stylized words and comic plants and heroes like palm trees and Optimus Prime, a pink manga character and a green skull, the Ghostbusters logo and Public Enemy's crosshairs. A metal grid is attached to the wall on the far left and another in the lower middle of the photo.


Alt text 2026.04.26. Inside a tranparent PE cover the black inner sleeve of a vinyl record with a DIN A4 paper insert on top, reading in two columns of handwritten orange copy: Dalston, Gillett Square / 002 / NTS & ICA / A1 is Lou / Kristina, I'm coming back — Phonica – six copies only?! / Beautiful staff member de Madrid ♀ / A2 Lou Gone Out, and below in full lines: Shepherd's Bush Chigwell Forest Hill – B See Through This – Performed and recorded by Heartplay. – Mastered & cut by Matt Colton.


Alt text 2026.04.22. Close-up photo of a book cover with white capital letters reading 'CONCRETE ISLAND' and below the author's name and 'Introduction by Neil G' on a dark, yet colourful background red and blue.


Alt text 2026.04.17. Black punched-in 12" cover with what seems to be a white paper insert looking out from the hole, revealing variations of handwritten burgundy copy of the record's title.


Alt text 2026.04.13. A graphic white on black, showing laurels encompassing copy, reading in caps its header OFFICIAL SELECTION, while closing with the year 2026, with in between the two, in a bold font it says: The Working Class Film Festival


Alt text 2026.04.12. Print-out of a photo showing the bald head of a person with an easy smile on their shaved face, cut to cubist chops and pieces, then put back together with their positions slightly shifted, creating a deformed, grotesque grimace.


Alt text 2026.04.04. A white punched-in 12" record cover with over the hole's northern hemisphere a stylized purple and elongated psychedelic typography, reading HEARTPLAY in caps with a little star to the right. Label sticker is orange, with along its perimeter printed text reading in bold white 'Heartplay' and in black 'A. Kill Your Idols B. Quallentanz FND003 © fakenodj 2025' with the titles only in a bold font.


Alt text 2026.03.29. Just a row of trees on a meadow against the backdrop of more trees and bushes, all under a blue blue sky, painted with little fluffy clouds.


Alt text 2026.03.26. On a brown corduroy couch a 12" vinyl record with an orange label sticker in a white sleeve, its cover printed around its punched-in hole's northern hemisphere with purple elongated psychedelic stylized typography, reading HEARTPLAY in caps with a little star to its lower right.


Alt text 2026.03.19. On the left a small pile of A5 magazines in white and red with yellow flower drawings on them and at the bottom in black reading 'dissent' in a white box over a pink leg below a black skirt, resting on an A3 filmstill print showing a person wearing a pink bath robe, standing with their back to us in front of a run-down kitchen unit, seemingly looking out a window but maybe not, paint-marked in blue reading "in dr" with the fifth letter half-covered by one of the magazines, open, showing on the left page an advertisement, reading in elongated psychedelic capital letters HEARTPLAY with a little star to the right and below, turned by ninety degrees to read vertically:

'No more cities, no more trax, no more hustle and no charades. No, none of that and no, we're not the hippies, no, just much too blinded by euphoria. It's all personal contact, so no, no antidote. No emotions, no rescue & no revenge. Just dance your dance. Yes, do the work, don't warp, go slow, just mute, and fuck, no lies.'

Below that, back to the horizontal, three lines reading: 'Kill Your Idols / Quallentanz FND003 45 rpm 12" vinyl is out 4th April 2026 – Don't miss Téléphone and 002 12"s for more distortophobia unequalled! – fakenodj is distributed worldwide by One Eye Witness'

All copy is dark purple, highlighted in tones of orange paint doodle, all on top of more copy in burgundy and a further orange tone, handwritten and barely readable, while the right page features, highlighted here and there in blue, monochrome photos of what seems to be a war zone, and the statue of a man taken down by protesters.


Alt text 2026.03.16. Photo of a black book on the left with white paint stylized as handwritten typography on its cover reading OUR PIECE OF PUNK, resting on its carton packaging with handwritten text on it, and an address, barely readable. Just above, some flyers with the one on top stating in all caps LESEN HILFT! (READING HELPS!) and a CTA against the 'Weimer Republic' plus bank details to donate for a legal action in a finance case.


Alt text 2026.03.06. Photo of a colorful 12" vinyl record cover with a punched-in hole revealing part of the black and white artwork on the cover behind: the photo of a long-haired person appearing to be in movement, as all that hair is flying around. Up front, the aforementioned cover's artwork is circles and half-circles of different colors, yellow, black, green, and red, with track titles and crew printed in yellow copy, counterclockwise reading:

Everyday Dub
Bass: Doug Wimbish
Drums: Prisoner
Saxophone: Alex White
Trumpet: Dave Fulwood

Side B
Whirlpool Dub
Bass: Doug Wimbish
Crucial Tony
Celioman Hussey

Danger Dub
Bass: Doug Wimbish
Guitar: Crucial Tony
Drums: Prisoner
Trumpet: Dave Fulwood
Saxophone: Alex White

Above the center of the last two we see a yellow circle with red and green copy and all credits, reading in green: Written by Panda Bear, Sonic Boom and Adrian Sherwood. Published by Domino Publishing Co. Ltd and Warp Music Limited. Original songs recorded at Campo Studio, Lisboa PT, New Atlantis Studio, Sintra PT, Black Sheep Studio, Sintra PT. Original vocals and electronics by Panda Bear & Sonic Boom.

And in red: Additional Production and mix by Adrian Sherwood. Engineering and programming by Matthew Smyth. Recorded and mixed at On-U Sound studios, Ramsgate Kent UK. Bass recorded at King Arthur's Yard, Hartford Conneticut US. Horn arrangements by Skip McDonald


Alt text 2026.03.02. An open note book of blank white pages with a doodled ram's head on the left, its horns and eye sockets silver, skull golden, nose and part of its forehead black. Above, a black capital letter A is readable, and to its left the lower part of what seems to be an N, as others are all outside the photo's frame. What is visible of the right page is riddled with handwritten copy, reading 'Everything Explained' multiple times, in black, silver, and red, layered on top of one another, horizontally and vertically.


Alt text 2026.02.28. Snapshot photo of a strelitzia in bloom flowering orange prongs, its green foliage overhanging a black railing to its left on top of a stairwell against the backdrop of a white wall and some wooden framework.


Alt text 2026.02.26. Close-up photo of a white punched-out 12" cover with letters of purple flock and a little star to their lower right printed on it with only a capital A readable. On the orange label sticker, circular black copy with its beginning and end seperated by a white capital B is printed along its edge on the outside, turning lighter toward its core, from grey over silver to white, reading 'No more cities, no more trax, no more hustle and no charades. No, none of that and no, we're not the hippies, no, just much too blinded by euphoria. It's all personal contact, so no, no antidote. No emotions, no rescue & no revenge. Just dance your dance. Yes, do the work, don't warp, go slow, just mute, and fuck, no lies.'


Alt text 2026.02.22. Three vinyl record covers spread over the floor on beige tiles just next to some tools on a piece of light wood up in the right corner and a row of records up on the left. What is visible of the cover to the left is black print on white, showing band members on the right playing drums and bass, and in the middle Amy's face on vocals, appearing to be screaming with her mouth and eyes wide open, with some capital text showing on the top reading SNIFFERS. To its right and covered by this first, part of a second cover featuring a psychedelic blurry face in yellow, blue, and pink on white, with black text above, reading in caps on the left corner AMYL AND THE SNIFFERS and on the right COMFORT TO ME. Next, to this one's right again, we see another cover showing a dynamic photograph of the band members, gathered on what seems to be an open street and moving or even running toward the photographer, with Amy flashing a set of blurred tits. Part of it again is covered by its black inner sleeve, with lyrics printed in caps on it in white. Although barely discernable, the one on the top reads JERKIN' and another BIG DREAMS.


Alt text 2026.02.13. Photo shows a page of DIN A4 paper covering half of another and likely a page of overhead transparency on a surface of light wood, flanked by what seem to be technical devices, one a little darker to the top left and a silvery one to the right. Copy seems to be printed on both, paper and transparency, reading in elongated psychedelic capital letters HEARTPLAY with a little star to the right and below, turned by ninety degrees to show vertically 'No more cities, no more trax, no more hustle and no charades. No, none of that and no, we're not the hippies, no, just much too blinded by euphoria. It's all personal contact, so no, no antidote. No emotions, no rescue & no revenge. Just dance your dance. Yes, do the work, don't warp, go slow, just mute, and fuck, no lies.' Below that, back to the horizontal, three lines reading: 'Kill Your Idols / Quallentanz FND003 45 rpm 12" vinyl is out 4th April 2026 – Don't miss Téléphone and 002 12"s for more distortophobia unequalled! – fakenodj is distributed worldwide by One Eye Witness. All copy is dark purple, highlighted in tones of orange paint doodle, while the top page features more copy, in burgundy and a further orange tone, but barely readable, with the first batch of three as described above appearing to be printed on top of it.


Alt text 2026.01.31. Resting on square beige tiles and next to what seems to be a sideboard is one heavy-looking cardboard parcel on top of another, secured with brown and green tape. On the side facing us, huge capital letters in trickled-down paint-marked red read FRAGILE.


Alt text 2026.01.29. Vinyl records in black punched covers with their white label stickers stamped in red, reading 'HP' in capital handwritten letters, arranged in a manner that no label sticker touches the other for the ink to dry.


Alt text 2026.01.25. A record held in a right hand under black light, making its tranparent PE protective cover and DIN A4 paper insert appear to be purple with its handwritten orange copy glowing pink and orange, reading in two columns: Dalston, Gillett Square / 002 / NTS & ICA / A1 is Lou / Kristina, I'm coming back — Phonica – six copies only?! / Beautiful staff member de Madrid ♀ / A2 Lou Gone Out, and below in full lines: Shepherd's Bush Chigwell Forest Hill – B See Through This – Performed and recorded by Heartplay. – Mastered & cut by Matt Colton.


Alt text 2026.01.22. Photo shows what appears to be an object in the shape of a droplet, fluid and metallic, in front of an illumination, with to its left a second source of light, glaring, all inside what David Lynch must have imagined an atomic explosion to look like, a threat of black and red, yellow and heavy with gold.


Alt text 2026.01.21. Fanned out on top of one another four printed copies of a photo capturing a tv screen, a still of a scene showing Amy Winehouse actress Marisa Abela with long and thick black hair, the words NICE PUMPS, BECKY! stenciled in sharp pink, orange, and golden caps on the print of each photo, where a few steps behind her left shoulder we see a wallpaper in warm 70s aesthetics, a pattern of nut and olive light bulb-like objects. Her lips are still slightly parted, as though she had just said the words. To the left of these three copies is another with black caps on it, an R, a Y, a T, but barely discernable, while at the top of the photo we see part of an electronic device, a white power adaptor, and a diary resting on light wood.


Alt text 2026.01.14. Prepared on a grey background one stack of white 12" record covers with a hole punched out in the middle and a purple somewhat psychedelic logotype above encircling almost half of it and reading in elongated caps "HEARTPLAY" with a little star to the Y's bottom right. To the stack's right another of 12" vinyl records in black inner sleeves with an orange label sticker reading along its round edge "Heartplay" in white bold font and then in black "A: Kill Your Idols B: Quallentanz FND003 © fakenodj 2025" with both track titles in a bold font.


Alt text 2026.01.10. Sitting on a warm, reddish carpet by a 50s microphone inside a living room in front of couches and a table lamp shining in bright yellow orange, two dark-haired girls wearing woolen jumpers, one a dark reddish brown, the other orange, both on backing vocals, the one in the former rather intently while the one in the latter with hungry eyes fixed on a guy with short dark hair to the left, wearing a black t-shirt and jeans, playing a guitar with one knee bent to the ground, singing intently into the mic in front of him.


Alt text 2026.01.08. A range of tree tops, bathed in a veil of foreboding grey mist.


Alt text 2026.01.08. (1) Close-up of two broken tree branches with more of them behind, all covered in snow in front of thin trees and a cloudy winter sky.

(2) A path through thick snow in a winter forest, part of it blocked by snow-covered fallen branches in the middle of thin trees. In the back a cloudy light grey sky.


Alt text 2026.01.05. A video still showing three children in the snow in front of a house's backyard, wearing snow hats. To the left in the foreground, one with dark clothing, a blue scarf, white stripes around hips and hands, looking concerned at another in a red and black snowsuit to the right of the image, a green bucket hanging from their elbow. In the background, another child wearing grey pants, a red-black jacket and a black hat is squatting, their hands buried intently in the snow, a snow-covered young spruce and bushes nearby.


Alt text 2026.01.03. A street at night, likely a country road, grey, lit by headlights of a vehicle driving in the middle of both lanes, with their yellow markings centered in the picture while the horizon remains in darkness.


Alt text 2025.12.31. TV screen shot of a pale and dark-haired woman's face watching something intently, concern writ all over her brown eyes and slightly parted lips in front of a blurry background, possibly showing a bed with a rectangular technical device resting on it.


Alt text 2025.12.29. Photo shows an open page of the magazine's issue, black text on white, its title and introduction white letters underlaid in black for contrast, whereof the top reads 'ROGUE' in caps with below 'Cabaret Voltaire' and 'More relevant now than ever, founder members Stephen Mallinder and Chris Watson reunite for a series of concerts marking 50 years of cut-ups, samples and subversion' then stating the author 'By Abi Bliss' and 'Photography by Charlie Kwai' while the paragraph in question below, now black on white and with a thick pink arrow paint-marked to its top right pointing to it, reads 'You can learn a lot about a venue from the quality of its toilet graffiti, and Gut Level is no exception. Tucked away in a city centre alley behind a branch of Marks & Spencer and a cathedral, the small Sheffield club's cubicle walls are a lively forum for messages of protest and solidarity, celebrations of sexual and gender freedom, and advice both heartfelt and sarcastic, all reflecting its status as a hub of grassroots queer and DIY resistance.'


Alt text 2025.12.24. Resting on a piece of paper with printed on it a photo of 70s style tapestry featuring an ornate pattern and pink paint marker copy of sharply cut out and stylized cap letters of word endings reading one below the other ICE, MPS, KY! a black and white magazine cover in generally dark tones showing a man from behind wearing what seems to be a work overall, walking with a hunched back toward a grey wall. At the top it reads in thick white caps 'MEANS' and below 'PARTICAPATORY ECONOMICS' while at the bottom it says 'A creative critique and helpful reimagining of the economic structures that surround us'


Alt text 2025.12.22. In a shelf two compartments of vinyl records of all hues with to the right some cartonage inside and outside of said shelf.


Alt text 2025.12.20. Four vinyl record covers arränged in a square. Listed clockwise we have David Bowie – Low, Kim Gordon – The Collective, Rolf Trostel – Two Faces, and The Body – I Shall Die Here/Earth Triumphant.


Alt text 2025.12.20. (Elaborate Version) Four vinyl record covers arranged in a square. Listed clockwise and counting from the top left we see artist and album names in caps reading DAVID BOWIE in orange, and below in yellow: LOW, all in front of a warm background of red, orange, and yellow tones and below a profile of the artist, facing to the right, with hair in the background's hues, their face pale with light make-up around the eye, wearing what seems to be a black rain-coat. Next, to the right, a pink cover showing the black shadow of two hands holding a smartphone, seemingly amidst the action of taking a photo. The cover's top half reads in caps of a thin-lined font the artist's first name, surname, and album title listed below one another: KIM, GORDON, THE COLLECTIVE. Next and below this one the photo shows a black and white cover, with the left in black, forming a triangle pointing to the right, the cover's white space, but not to a pointy end, but one made of two faces instead, with the right a mask emerging from the other's left ear while the left face's right half is hidden in the cover's black. The cover's top left black corner reads in white serif caps TWO FACES, while the bottom white right reads 'by' and the artist's name in the same but black: ROLF TROSTEL. Last, in the bottom left corner we have an olive green album cover showing in its top left corner a black and white photo, here outlined in a bluish black against the olive, of what seems to be a person on their chest, their legs and feet bent by ninety degrees from their knees straight up into to sky, their arms spread out to the left and to the right, while they are holding their head up high, wearing a cap. To the right, a black and white sticker with copy and barcode. The middle part of the cover reads in said bluish black caps I SHALL DIE HERE, and below EARTH TRIUMPHANT, while the bottom third of the cover shows the artist's name: The Body.


Alt text 2025.12.19. Flanked to both sides by rows of vinyl records and a framework of light-brown wood an empty space in a shelf in front of a white wall.


Alt text 2025.12.14. Screen shot of a scene in the movie, showing Amy Winehouse actress Marisa Abela, standing upright with long and thick black hair, by what seems to be a wooden door frame, just having said the words, her lips still slightly parted. A few steps behind her left shoulder and to our right we see a wallpaper in warm 70s aesthetics, a pattern of nut and olive light bulb-like objects, bordered by a wooden door frame, giving the impression as though Amy stood in the doorstep.


Alt text 2025.12.14. A record cover on a record player's closed lid with its black disc spinning beneath. The cover is printed with a black and white photograph of what seems to be a cloudy sky and an old building to the right, featuring relief art on its facade, evoking the image of a bird's feathers, a wing. Up on the left corner it reads HAROLD BUDD in pink caps, and in pink italics below: Abandoned Cities


Alt text 2025.12.10. Bold capital letters reading WHY WORDS NOW, one word per line, white on black.


Alt text 2025.11.08. A photo of the four band members standing in the grass at the cliff of Beachy Head in Sussex, surrounded by yellow wild flowers. With part of a blue vehicle visible in the back, the record cover's top reads in all black caps but the second line, and the third with yellow highlighting

THROBBING GRISTLE
bring you
20 JAZZ FUNK GREATS

with to the cover's right a strip of its pink insert out and in the background, brown furnishing and beige tiles.


Alt text 2025.10.19. Three plastic vials in silver, cyan blue, and magenta from left to right and shot from a low angle, all with a silver-grey sticker on them reading at the bottom 'Gouache' in black and below in white caps LASCAU and grey on a white banner 'the spirit if colour' and with a silver quality seal glowing in reflected light below, the colours listed at the very top in German, English, and French. To their right all vials read 'Temperafarbe, Tempera colour, couleur détrempe'


Alt text 2025.09.27. Rows of empty seats in front of a theater's stage, the screen still closed behind a red curtain.


Alt text 2025.09.18. An episode still from Alien: Earth showing on the left two men, one older and bald, wearing a dark suit, and another, younger than him, kneeling to his right and therefore closer to the fourth wall of the photo, both looking at a sheep with a bloody head in a glass cage on the right, while on the wall behind the two men is what seems to be graphics of human heads with a sculpture of some sort in front.


Alt text 2025.09.14. Reading HEARTPLAY in psychedelic purple caps and evoking the idea of elongated mushroom stems the photo shows four of the white 12" covers with a little part of three of them visible through the punched out hole of the ones in front respectively and to the right, a row of more record spines with a wooden divider in between them.


Alt text 2025.09.10. Photo shows spread out on beige tiles what seems to be part of 24 split off psychedelic mushroom stem style typographies on purple flock foil, arranged in three rows and displayed here with its mirrored side up, showing its white dry glue, reading in caps HEARTPLAY, with a little star to the Y's lower side.


Alt text 2025.08.26. On a silver laptop on a wooden surface and to the left of a black DIN A6 note-book the open pages of the A5 issue showing a black and white photo of two empty benches looking out over a lake or an ocean with the shadow of what could be a person in between them right on the zine's joint, all photographed from behind on what seems to be the far end of a boardwalk, secured by proper fencing in front and all the way back, angling off by ninety degrees on the left of the picture. There, a lamp by the edge with in the distance a lonesome island.


Alt text 2025.08.20. In front of a shelf full of vinyl records a hand holding a record in a white sleeve with an orange label sticker showing a black little 'minus' symbol in a square white field on its right. Outside and around the whole northern hemisphere of the circular orange label the cover reads 'HEARTPLAY' in all purple caps in the psychedelic style of elongated mushroom shapes with a little star to its right.


Alt text 2025.08.09. On the left of the photo open notes in a book with black on white copy sketches in all caps reading 'YOUR MUSI DOESN' turned on its head and 'MY CROOKED TEETH AR' and a selection of felt-tip pen right next to them. Below both, a bigger note book with colourful sketches of copy, again in caps, but reading 'TEXT' over what seems to be half of a ram's head, its face orange and red, but its horns grey and furnished with darker outlines, its other half outside the image. On the right page a variety of circles in orange, black and green, with lilac and orange copy in caps circling their upper half, spread all over the page and reading 'HEARTPLAY' with a little star by its side or shimmering waves above and below in light blue, light green and violet, all sketched over ball pen copy reading, yes, in caps, FND003, and other notes barely discernable.


Alt text 2025.07.30. On a wire hanger up on a grey wooden ceiling a black t-shirt with printed on it white letters reading 'gimme gimme gimme' in a column of which the two bottom ones are struck through with a white line while all three are turned clockwise by ninety degrees. Down where the shirt would sit on the right hip when dressed in a white patch reading in black caps WEMOTO, five times in a column. Below the shirt are displayed two vinyl records up against the wall, the right with a multicolored psychedelic pattern on yellow as a cover and the one on the left with what seems to be a photo of a round shape in sepia tones.


Alt text 2025.07.27. Resting flat on the ground of the photo's bottom half both Wet Leg LPs with only part of their album covers visible. On the left, showing the side and back of a person in a white shirt with dark red hair down her own and their arm around another's shoulder. Strawy-haired, that one has their arm around the other's hip, showing blue tattoos, a butterfly and what seems to be a rose. To the right, part of the new LP's cover, showing on a beige carpet two persons, one with their back to the viewer, hands with ultra long fingernails wrapped around their back and dressed in a white top and light blue jeans while the second to their right seems to be on their knees, hands on the ground and a somewhat not too serious smile on their face, their back covered with long red hair, pink on the side of their head but grown out darker on top at the hair's roots. Both individuals positioned in front of white curtains to their left and a grey wall to their right, the whole composition emits an empty backroom charm. The top half of the photo shows on beige tiles and a piece of light wood and leaning against a row of records the lower half of one in a black inner sleeve inside a PE-cover, together with a white paper insert reading in handwritten orange type "B See Through This" and below "Performed and recorded by Heartplay." Below that again "Mastered & cut by Matt Colton."


Alt text 2025.07.25. Pinned on a board a folded piece of white paper reading around a half circle 'HEARTPLAY' in vertically elongated black caps evoking the feeling of fungus stalks, with silver outlines here and there and a little black star to its lower right. Up on the top right and on a card part of a purple fox, its jaw white, reclined on green and orange with below a second card showing abstract art of crystal forms red and green and blue, yet below that a third card on the bottom right corner, black, with white letters reading: '"Computer Games don't affect kids; I mean, if Pac-Man affected us as kids, we'd all be running around in darkened rooms, munching magic pills and listening to repetitive electronic music." Kristian Wilson, Nintendo, Inc. 1989'. To its left a metal plate of the Italian tricolor flag reading 'AT 500' on top with just below the upper half of a vintage white Fiat 500 with a red stripe underlining its windows from front to back. To its left, in the photo's bottom left corner, a green flyer with white print of a person filling a pot with water by a pond and above parts of two black flyers with white lettering of a January event, seemingly featuring Ana Sofia Fonseca, but its other words barely readable.


Alt text 2025.07.06. Photo shows two vinyl record covers on a beige tiled floor, the top of the one on the left reads on a dark background in white caps "THOMAS DINGER" and below in a little smaller font "FÜR MICH" with on the right a yellow post-it sticker with notes in caps reading "NEU/LA DÜSSELDORF MEMBER GOES SOLO CHECK OUT EUPHORIC BUILDER FÜR DICH" and a price tag above reading "25.00". The artwork's centre shows a photo of the artist wearing make up on their pale white face, long, red glowing hair, maybe a wig, maybe not, blue lipstick with its lip lined black and their eyes shadowed in light grey blue while overlapping its lower right, the cover next to it shows on a white background in the middle nostrils in black with lipstick below, red on the lower lip and black on the upper, and eyelids shadowed in blue with their lashes thick and black with eyeliner.


Alt text 2025.07.05. On a piece of light wood a paper strip flyer reading in black on white caps "POST PUNK, POST ROCK, KRAUTROCK, ELECTRONICA" at the top and at its bottom "SA. 28. JUNI, WAGGON OF (OPEN AIR)" while in their middle the names of both bands "PAPER PLANES & VONLIEBKNECHT" in capital white 3D letters outlined black.


Alt text 2025.07.01. Photo shows resting on a light wooden table an issue of The Wire Magazine, its upper half on a silver laptop and on its lower right its accompanying Wire Tapper CD. The artwork on the magazine shows on a black and white background of cables, wires, and electricity pylons, a circle with on the left in black and white half of David Lynch's white-haired face and coloured on the right half of black-haired Chrystabell's, red lipstick on her pale face. Top of the cover reads, white on ruby, "TheWire" in one word, the T and W in caps, and on top above the h and e "The Wire 486 August 2024" and above the r and e "Adventures in Sound and Music". Below on the left "The Wire Tapper 65 free CD" while below that again in letters encircling the circle of faces in caps "DAVID LYNCH & CHRYSTABELL" and on the right, always around the circle and in caps "19 PAGE FEATURE INSIDE THE SOUND WORLD OF DAVID LYNCH". The CD's upper left corner reads "The Wire Tapper" and the right "65", its artwork being a cut-out of the magazine's in black and white.


Alt text 2025.06.28. Photo shows part of the book review in The Wire issue 496, written by Leah Kardos. Title reads: A cultural history of Sheffield's Thatcher-era avant pop scene is a story of working class imagination, glamour and possibility

Book title: Studio Electrophonique: The Sheffield Space Age From The Human League To Pulp, by Jamie Taylor


Alt text 2025.06.27. A row of shelved vinyl records with cassette tapes in the row above. One record is highlighted by those to the right leaning to the side. It reads LALO SCHIFRIN and STEVE and BULLITT, all in caps but different fonts. The official motion picture soundtrack of the movie.


Alt text 2025.06.26. Concrete stairs leading up to a majestic 8m tall sculpture of a rose with a flat building behind and a blue cloudy sky up above.


Alt text 2025.06.22. On the right a wine glass filled with ice cubes and red fluid, to its left issue 496 of The Wire magazine with Cosey Fanni Tutti on its cover in front of patch cables and synthesizers plus more artists featured in the mag on a garden table cover made of plastic. Up on top text reads: The Wire in yellow print and the rest all in white in two columns:

COSEY FANNI TUTTI
Patchbay resistor

HAPPY FAMILY
Rock in opposition
AMINA
CLAUDINE MYERS
Blues in opposition
QUINTON BARNES
Noise in opposition
DAVID VAN TIEGHEM
Opposite greatness
BILLY WOODS's
Jukebox

Circuit Des Yeux
Stereolab
Julee Cruise
Liu Zhenyang
Quade
Milked Eyed Sigh

Festival reports:
Big Ears
Counterflows
Rewire
MaerzMusik


Alt text 2025.06.17. A screen shot of an online shop review:

In caps: OUT OF STOCK with an intention-drawing encircled 'i' in front of it.

Boomkat Product Review:

2nd serving of tape saturated slow-techno clagg from Heartplay, following 2015’s Téléphone 12”.

Although comparable with Actress or Legowelt at their most fugged-up, the forlorn new age chords and heaving motion of See Through This is personalised with a driving-through-torrential-rain patina of distortion that may even be a bit too much for the fassier house boys.

However, if you’re into the primordial thump and crack of NPLGNN or Basic House at his most tortured, the struggling swagger of LOU or the uncontrollable fizz and wallop of See Through This are for you.


Alt text 2025.06.15. A record in its tranparent PVC protective cover held in a right hand with a DIN A4 paper insert over a black inner sleeve. In handwritten orange text it reads in two columns: Dalston, Gillett Square / 002 / NTS & ICA / A1 is Lou / Kristina, I'm coming back — Phonica – six copies only?! / Beautiful staff member de Madrid ♀ / A2 Lou Gone Out, and below in full lines: Shepherd's Bush Chigwell Forest Hill – B See Through This – Performed and recorded by Heartplay. – Mastered & cut by Matt Colton.


Alt text 2025.06.13. A white-walled room with two framed photos on the right wall, one reading NOW OR NEVER in caps black on red. Two rows of seats in front and more on the left. The screen in the center reads 57NORD in caps.


Alt text 2025.05.27. A collage of flyers, photos, cards, and tickets on a pinboard, showing clockwise from the upper left to the left a piece of linen with part of a size on it reading W 33, part of Franz Marc's Little Yellow Horses painting, part of its top left covered by hands forming a heart on a black and white Jeff Mills flyer, the new flyer for upcoming Lusofest shortfilm festival, below that an old flyer of a Daidō Moriyama exhibition at c/o Berlin, to the right of which a picture of an Axolotl over the right corner of a black and white photo showing a woman in front of a dark backdrop, left of it part of Da Vinci's Last Supper on a card, its top covered just like the woman's picture by a concert ticket for Stereolab in Frankfurt, but also by an older ticket for a roller disco event in Detroit, to the left of that part of a card reading in caps DINGE S WIE SIE ND IMMER S WIR A CHEN !


Alt text 2025.05.25. (1) A gallery corridor looked at from outside, in front of double doors, the left closed, the right open. On top of the frame it reads one letter per cube: GALERIE, framed again with black lines. Through the window of the left door with a sticker on it reading 'hfg OF_MAIN' four square paintings lining a wall, bordered by graffiti on the door. Inside, a support column on a tiled floor, with portrait paintings on the far wall to its right. Farther down the corridor an open door, leading into a pink room, with another portrait up on the wall.

(2) A black and white egg cutout portrait photo of an Asian person, bordered in white with a black frame, their eyes fixed on the viewer, their head and chin turned left and tilted down to their naked and hunched left shoulder while a few locks of hair from the back of their head are fanning out and up. Frame is placed on a pink column painted on a white wall.

(3) On a grey column on a white wall a portrait of a person's blurred face looking slightly up and to the right. Black and white on a background of red paint, its black frame turned by 90 degrees to the right, as though it caused the blurry effect while leaving the image upright, its contours on the image white lines contrasting the red, leaving the red outside untouched around the frame's recent position.

(4) White room with overhead lights. At the far wall a table with a pink book on it, to its left a chair and to its right a slender vase with white flowers. Three images on the left wall: a collage of cut out paper reading in caps TRAUMCOLLAGE LAN LE above shapes and graffiti, a profil photo in black and white of a young person with a stubble and their eyes painted or sprayed over in red, an egg cutout photo of a person wearing what seems to be some kind of jewelry on their head, or an effect made by the artist. On the right wall two photos of persons, one with their face cut out, the other with its head split in two, both cut outs re-positioned out of place with the empty part painted blue.


Alt text 2025.05.22. A hardcover book on wooden ground, its black tail band protruding from its bottom right. Bound in grey linen, it features a black circle with a black dot in its middle, its upper left its title, black, one word per line: The Creative Act: A Way of Being, while its bottom left states the author's name, black, turned by 90 degrees to the right: Rick Rubin.


Alt text 2025.05.09. Book with black and white cover, reading 'art music sex cosey fanni tutti' from top to bottom on a red block, covering the somewhat kneeling and leaning back against a wall artist's core. Resting on a wooden board, pieces of paper frame the photo on the top left and the edge of a laptop on the top right.


Alt text 2025.05.08. Open pages of a zine on a corderoy base, the left showing performers making music behind electronic equipnent, on the right a text telling about how Ukrainians collect money at music jam events to help their people at the front with dry rations and about the event 'Noise Every Wednesday' where new genres of music are born in the harsh realities amidst the sounds of war.


Alt text 2025.04.27. A pathway amidst the green leading up a hill toward a row of trees. In front on top overhanging leaves from another tree to the right. The sky is blue, tinged with a light blurry waft of clouds.


Alt text 2025.04.26. A yellow field of canola up front, in the distance rolling hills with trees under a blue sky. Little clouds here and there.


Alt text 2025.04.26. A work of art by Gerhard Richter photographed from a thirty degree angle in the basement at Neue Nationalgalerie in Berlin on Aug 26th 2023. It's horizontal lines of a multitude of colours stacked up on one another, up on a wall.


Alt text 2025.04.24. On a record player's closed lid in a black frame a black and white record cover showing a man wearing what look like a Brixton hat and a ballett dancer's shoes, a working man's outfit: jeans, a belt and gloves. His arms and legs extended and seeming to fly, his left hand holding sort of a flag with on it the album's title THE MODERN DANCE in handwritten caps and above in smaller caps on the upper left corner the band's name: PERE UBU. in the background on the cover's lower half the outlines of a city and industrial sites.


Alt text 2025.04.14. A black and white vinyl record cover showing a cleanly shaven man's smooth face, seemingly young, bare of any wrinkles, his hair combed straight and back, dressed in a garb featuring an oversized collar, on top a handwritten note reading 'Pato'. In the background to the left on the ground an array of records against a cardboard box.


Alt text 2025.04.10. A black card on a pin board, white letters reading: '"Computer Games don't affect kids; I mean, if Pac-Man affected us as kids, we'd all be running around in darkened rooms, munching magic pills and listening to repetitive electronic music."

Kristian Wilson, Nintendo, Inc. 1989'


Alt text 2025.04.09. An open double page, its lettering white on black, reading TIME FOR ACTION in capital letters on the left page on top of an image showing black splotches on white. On the right page Kris Needs' text begins, a piece about Adi Newton's and Jack Dangers' new record under their collaborative project called Sōon.


Alt text 2025.04.09. A DIN A5 magazine on a silver laptop and light brown wooden surface. The magazine's colour is black and white with a little blue coming through on the horned human figure's pants, seated on a white couch with its legs crossed, wearing a black tie over a white shirt and dark jacket. The background wall features an elaborate pattern of right angles. Above, the mag's title in caps: MEANS and below: POWER. PRIVILEGE. POLITICS. The bottom shows artists and topics featured inside by name in caps:
SIAVASH AMINI
THE MENOPAUSE QUEEN
HEX ON BILLIONAIRES
INFINITY TENNIS
POWER & ARTISTRY
NOTES ON THE UKRAINIAN UNDERGROUND


Alt text 2025.04.05. Three German versions of Twin Peaks dvd box sets, fanned out from right to left, all with the series' title up on top and a photo showing one of three key characters in the middle: Laura Palmer, Dale Cooper, and The Man from Another Place. On the left set, the bottom reads (in German) 'First Season Special Edition', on the next the uncovered and readable part 'Season Two' and a word fragment, while the third reads 'Two' and word fragments identifying it as the second part of Season 2.


Alt text 2025.04.03. (1) Album cover of cassette tape release by Recht Auf Rausch. Grey fuzzy background showing a darker poppy flower, white letters reading the artist and title IM OSTEN GEHT DIE SONNE AUF

(2) Backside of the cassette tape plastic case and cover, showing the white cassette with the artist name printed on it and the folded insert with all track titles:

Stalingrad (2.0)
The Last Breath On Earth
Im Osten Geht Die Sonne Auf
Material Girl
Compass Gold
Girls Don't Dry
Wo
With Me
Tonight
Billige Pralinen
Walzer Für Niemand
2sam


Alt text 2025.04.02. CD cover of Kashiwa Daisuke's debut album April.#02 resting on a wooden table. Black and white with a third of it in all black on the left stating artist and album title from left to right in the middle. The other two thirds show a black and white photo of a stairway in an abandoned place, reclaimed by lush plant life.


Alt text 2025.03.29. A variety of artworks by different artists on a white wall. In the middle in an almost square format a painting in dark tones ranging from black over shades of blue to a red spot.


Alt text 2025.03.20. The magazine on a silver laptop and wooden table, its cover featuring a sticker-type white-framed round print in the upper right reading 'Autobahn At 50' in white, on dark blue, and Cluster, Harmonia, Neu!, David Bowie, Brian Eno in yellow in a yellow frame on a light blue plastic bottle on black. The cover's bottom part shows the issue's main theme in capital red letters on a yellow splodge of yellow paint: ELEKTRONISCHES DEUTSCHLAND


Alt text 2025.03.12. In a tv a desert looked at from the top of a yellow train driving toward a set of light red desert mountains on the horizon, with houses to the left painted in pastel green tones and a lonely cactus to the right. Up on a blue sky, in yellow capital protruding block letters tilted to the viewer's left, making visible their red sides, the movie's titles read "ASTEROID CITY"


Alt text 2025.03.09. A vinyl record album cover, light blue with green capital comic letters across its bottom half reading 'Tower of Meaning', and above the drawing of a pink kite in a green frame.


Home, copy, demos and mixes, film edits, Heartplay 12" self-releases, photos from OG gram, prints & ads, Impressum.